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So, maybe make the warp wider , and weave a table topper. I chose a different color weft, a green more subtle and slightly darker than the chartreuse, to make the chartreuse a little more subdued. When I washed a sample of the new wef, it seemed that it might be a bit more drapey when washed, but still give a sense of texture. I kept the red for accent, but decided to lay it in rather than weave it in. So here goes:
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The dreaded shrinking shed |
As I am approaching the end of the piece, I notice that the shed is beginning to get smaller. And smaller....
So I decide to weave this end with a similar size double red line and seven inches of plain weave, same as the other, though the design elements are asymmetrical and not centered. Keeping my fingers crossed I cut it from the loom:
I have hemstitched both ends to stabelize the weaving, which at this point,unwashed, looks something like canvas. I left about 7 or 8 inches for fringe. The finished fringe will not be that long, but I wanted plenty to work with. In my sample and preliminary tests, the warp ends felted well together and I am hoping that it will be stable enough for me to cut off the knots and leave a trim 2.5 inch fringe sans knots.
Each of the fringes is just two warps, twisted singly, then twisted the other way by hand and knotted. I never thought I'd want one of those fringe-twister doo-hickeys. But on this project, one sure would come in handy! I'm trying to making meditation out of it!
When the fringe is finished (give me a few days), then comes the suspenseful (and unnerving) part: washing to shrink and full the yarns. Will I come out with a fascinating minimalist texture, or a confused mass of yarn that won't lie down flat? Stay tuned....
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